I
recently watched Sicario, last year's dramatic thriller about efforts to
bring down a Mexican drug cartel. Emily Blunt stars as an FBI SWAT
member who, after a raid so grisly it becomes her "last straw," agrees
to assist the CIA in a full-scale operation against the cartel. But it
gradually becomes apparent that the task force leader (played by Josh
Brolin) may be nearly as corrupt as his targets, and that their special
advisor (a menacing Benicio del Toro) has yet another agenda.
If
I were judging Sicario only by its bookends -- the first 10 minutes and
the last 10 minutes -- it might well be one of the best movies of the
decade. The film opens on a tense raid of a suspected drug house, and
the discoveries there bring a palpable sense of revulsion. On the flip
side, the pivotal final scene of the movie is a perfect encapsulation of
the film's murky moral landscape.
But
there's about an hour and a half in between those sequences, and it's
not nearly as compelling. Certainly, there are some good set pieces to
make you sit up and take notice -- in particular an assault filmed in
night vision and infrared. But the plot is unexpectedly convoluted. The
main character is kept in the dark about what's happening for most of
the story, and consequently, so is the audience. The sense of "this is
not right" is always clear, but the plot mechanics of moving from A to B
to C feel muddy more often than not.
Certainly
the movie features some strong performances. Emily Blunt makes a
sympathetic journey from righteousness to disillusionment. Benicio del
Toro is a terrifying presence, particularly in the final act. Josh
Brolin is infuriatingly smug and sanctimonious throughout. And smaller
appearances serve the atmosphere well, from the likes of Victor Garber,
Jon Bernthal, Jeffrey Donovan, and more. Also effective is a truly
ominous musical score by Jóhann Jóhannsson, that cloaks the entire movie
in a relentless sense of dread.
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