Monday, November 13, 2017

Into the Forest I Go

It's crazy to think that Star Trek: Discovery had ever planned to go on hiatus with last week's episode rather than this week's. This was the tense, dramatic, action-packed note the show needed to go out on, and it certainly has me anticipating the series' return in January.

If you're going to nitpick, there are certainly some details in the episode that don't quite bear scrutiny -- the idea that Tyler would be tasked to board a Klingon ship in the first place (given his history), the character shift that Lorca is suddenly good at pep talks, Burnham lasting for even a moment in hand-to-hand combat with Kol, and of course the you-can-see-trouble-coming-from-light-years-away "one last jump" Stamets decides to take in the final moments. But these lapses in logic felt small to me, and at least in service of good moments for the characters.

Burnham got some closure (or at least, some vengeance) over the death of Georgiou, confronting Kol and reclaiming her captain's badge. There were some aspects of this confrontation that I wish had been set up a long time ago -- the "Hunt for Red October" style treatment of the Klingon language (finally sparing us from reading the worst font ever), and truly positioning Kol as a villain, but the payoff generally led to the right place. Burnham's Vulcan-cultivated exterior cracked, and then crumbled entirely later, in the quiet scene with Tyler. It was a potent journey for the character.

Tyler was brought face-to-face with his torturer, L'Rell, and the experience shattered him. There was some debate in fandom about whether "Star Trek on streaming" properly utilized its lack of language restrictions a few episodes back; I am in any case much more impressed here with how they decided to incorporate nudity -- not to titillate, but to horrify. The images of Tyler's torture and rape were truly disturbing, even as fleeting and scattered as they were. (Or perhaps because of it.) It tore down Tyler's veneer, for an emotional reckoning that's been inevitable since the character's arrival.

You're going to want to skip this paragraph if you're not up on the internet's big theory about Tyler. This episode seemed to confirm it, given L'Rell's behavior toward Tyler once she was captured. Tyler is Voq, rendered human by surgery and inserted as an agent in the Federation. Based on what we saw, Tyler doesn't actually know he's Voq, a development that certainly saves it from being the dumbest plot twist ever. If you assume there was a real Tyler, and that his brain was picked clean by a Klingon mind sifter (original series shout-out!) you can reason how Voq-Tyler was "made." Moreover, by making him being a sleeper, the emotional arc of this story isn't compromised. Tyler's experiences are still valid and not play acting. And now he'll also have to reckon with the differences once he learns the truth -- that his sexual encounters with L'Rell were no doubt consensual and loving, and that his memories of mutilation are no doubt of the surgery that transformed him.

The best character arc of the episode was for Stamets, who chose to risk it all (and/or who got manipulated into it by Lorca) on a dangerous plan to use the spore drive to pierce the Klingon cloaking technology. Prickly to noble in 7 episodes sounds like an awfully compressed character arc, but it did feel like we got to see every important step on that journey. More importantly, we got to see it culminate in one of the most loving romantic moments ever portrayed on Star Trek, which also happened to center on a gay couple. The kiss with Culber was a powerful enough moment, but the exchange "I love yous" -- which sure felt in context like saying goodbye forever -- was wrenching. Stamets may have survived that moment, and we may have even been fairly confident that he was going to, but the moment still felt honest and potent when they played it.

A second online fan theory seemed to get some love too, the one regarding Captain Lorca. But for now, I'll keep vague on this one. Suffice it to say, the evidence in this episode remained somewhat circumstantial, though the correlation felt much stronger.

Between emotional payoffs and post-hiatus teases, this episode felt to me like one of the strongest yet. I give it an A-. See you in January, Discovery.

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