I've
never read a novel written by Dennis Lehane, though I have seen several
of the movies adapted from his work. I was underwhelmed by Mystic River and Shutter Island, but because I absolutely loved Gone Baby Gone, I remain willing to give his stories a try. That's the
curious mix of doubtful and hopeful I brought to The Drop.
The
movie tells the story of bartender Bob Saginowski, who works in a
Brooklyn bar that serves as a money drop for the Chechen mob. The plot
is a bit fragmented, with several threads that don't entirely mingle
with one another. One sees Bob bonding with a woman named Nadia over an
abused pit bull puppy, then coming into conflict with her ex-boyfriend
as their relationship grows. Another sees Bob trying to keep as clean as
possible despite the presence of the mob in his life. Still another
sees the bar's former owner, Marv, trying to put one over on the
mobsters that bought him out.
The
resulting concoction is a bit odd, with the romance in particular
feeling shoehorned in. Thanks to the performances, each subplot is
fairly engaging while on screen... but seems less essential when the
focus drifts somewhere else. It often seems like typical shorthand for
defining character (he's kind to animals!) ends up expanding into entire
subplots and not really being shorthand at all.
But
as I mentioned, the performances definitely buoy the proceedings. Tom
Hardy stars as Bob, and it's a role that plays to his strengths. Hardy
is a more physical actor who can convey a lot while saying a little, and
that's this role to a T. In the role of Marv, James Gandolfini makes
his final movie appearance before his death. It's casting that leverages
his history on The Sopranos; this character is definitely more
frustrated and less in control, and it's certainly meant to be a
contrast to how most audience members know him. Gandolfini does well
with the part (even if it's not the triumph fans might have hoped for in
his final appearance.) Also effective is Noomi Rapace as Nadia. She's
saddled with an unfortunately stereotypical role in this male dominated
story, but her appeal (and, at times, her fear) feels real.
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