I
can't imagine many situations in which I'd jump into book seven of an
open-ended series, without reading any of the preceding volumes or
having any intention to read the ones to follow. But Free Fire, by C.J.
Box, is an odd book. Well, it's built on an odd premise, anyway: the
"Yellowstone Zone of Death."
In
2004, MSU law professor Brian Kalt published an article suggesting
there might be a legal no-man's land in Yellowstone National Park where
someone could get away with murder. Follow me here into the legal weeds:
Like
all national parks, Yellowstone is federal land. The Act of Congress
that created Yellowstone assigned that land exclusively to Wyoming's
federal district, though in actuality, there are tiny slivers of the
park that fall in the states of Idaho and Montana. The Constitution
requires that in a federal criminal trial involving a jury, the jurors
reside in the state and district where the crime was committed.
So
say someone commits a murder in the 50-square mile slice of Yellowstone
that's in Idaho. The murderer is entitled to a jury trial, with jurors
who live in the state of Idaho and the district of Wyoming. In other
words, jurors from that exact 50-square mile slice of Yellowstone
National Park. That completely uninhabited slice. No residents, no jury.
No jury, no conviction.
Professor
Kalt's article almost could have been written for author C.J. Box. Box
already had a running mystery-thriller series built around a character
named Joe Pickett -- a Wyoming game warden. The "Yellowstone Zone of
Death" was the perfect inspiration for the next Joe Pickett adventure.
Free
Fire is an unusual whodunnit, as there's no question at all as to
whodunnit -- the culprit confesses mere pages into the book. Instead,
this is a whydunnit, a search for a motive for the crime, one that
hopefully demonstrates premeditation that took place outside of
Yellowstone (and thus punishable under conspiracy charges). It's a fun
deviation from the mystery norm. But, as you'd probably expect of a
novel inspired by a legal thought exercise, the premise is the most
intriguing thing about the book.
I
was less than enchanted with the book itself for a variety of reasons.
First, there was the cartoonishly boorish murderer, and the contrived
and cryptic way in which Box tries lets you inside his head without
prematurely giving the plot away. Then there was the slight undercurrent
of "white male bigot paradise" permeating the book and many of its
characters -- particularly irksome to me in the very state where Matthew
Shepard was a chilling example of what that world can be like for
everyone else. Plus there was the considerable connective tissue
reaching back to earlier Joe Pickett books, material that had no
resonance for me. (To some extent, it's my fault for jumping in
mid-stream. But some measure of blame should be assigned to the writer
for not filling in new readers sufficiently; most authors of this sort
of open-ended series go to greater effort in making each volume stand
alone.)
Yet
despite the flaws, there was one aspect of the book that really saved
the experience for me. Box writes some very specific and vivid
descriptions of the park itself. His loving descriptions of nature took
me right back to my vacation to Yellowstone a few years ago.
Descriptions of the places I'd been brought pleasant personal memories
rushing back. Descriptions of places I hadn't been (some perhaps that
don't really exist) were equally evocative, creating a crystal clear
sense of place more sharp (and succinct) than any high fantasy writer
who digresses for pages to describe an imagined land.
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