This past weekend, I went to see the touring production of last season's hit Broadway comedy The Play That Goes Wrong. It was, as the saying goes, side-splittingly funny.
In the proud British farce tradition, The Play That Goes Wrong is a fast-paced comedy loosely parodying a murder mystery like Agatha Christie's Mousetrap. But the conceit here is that you're watching a production put on by a very unskilled college theater. Actors don't make their entrances and exits on time, don't know their lines (one literally doesn't know how to pronounce some of them), don't stay in character, and stumble around the stage (sometimes literally). Props aren't where they're supposed to be. Lighting and sound cues are mistimed. And the set is falling apart.
This is very similar in tone to a wonderful play by Michael Frayn called Noises Off. (It was made into a movie that's admittedly less wonderful, but has just about the most amazing cast of comedy actors you could assemble in the early 1990s.) Because of the similarities, it took me a little while to warm to The Play That Goes Wrong. But there's really no reason there can't be two (or more) funny plays built upon the fun premise of disastrously bad theater.
It's an extremely clever script. Written by a team (Henry Lewis, Jonathan Sayer, and Henry Shields), The Play That Goes Wrong is especially clever for how precisely the play within the play is crafted. Unlike Noises Off (where you see the action repeated multiple times), this show follows a single performance of "The Murder at Haversham Manor" straight through. The dialogue of the fake play is hilariously indicative of what's supposed to be happening on stage, so that whenever someone speaks, you immediately know exactly what's "going wrong" with the titular play.
The physical comedy is excellent throughout. It ranges from broad to minute, and the latter was especially impressive to me. The Buell Theater in Denver (and really, any venue that would host a touring Broadway show) isn't exactly an intimate space. Humor depending on small moves or subtle facial expressions aren't necessarily going to work. But everything was very carefully thought through in the staging to make sure that each and every joke could play from the front row to the back.
The set itself nearly steals the show. It's a booby-trapped nightmare, with elements all over carefully constructed (in reality) to malfunction at just the wrong time (fictitiously). One can step through it all and imagine how all the tricks were done, but it's quite easy (and more fun) to just get swept up in the moments as they come and watch decorations break, pieces fall off, and so forth. Again... it's all extremely clever comedy.
The cast is great, each embodying an archetype you'd expect to see whether you've actually participated in bad theater or are just imagining it. It was hard to pick a favorite; they were all funny, and everyone had their own particularly showy moment to go for a huge laugh from the audience.
After a couple of shows in this year's touring season that I thought were lackluster, The Play That Goes Wrong is a wonderful change. I give it an A-. It's here in Denver until Sunday, before moving on to other cities. If you have the chance to see it, I'd highly recommend it.
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