The "rom-com" is a much-maligned movie genre. (Hell, I don't think much of them myself, most of the time.) But sometimes a movie comes along the shakes up the formula and does something different and special -- a movie like The Big Sick.
Starring comedian (and Silicon Valley star) Kumail Nanjiani, The Big Sick is a story inspired by real life. He and his wife Emily V. Gordon teamed up to write a script based on how they actually met. A short span of dating led to a break-up, and then immediately went into upheaval when Emily became suddenly and mysteriously sick and was placed into a medically induced coma. "Film Kumail" must suddenly interact with the parents of "film Emily," whom he's never met, all the while trying to deal with his own overbearing family.
Rom-coms are a predictable genre, and of course this one is too, despite the radical change-up in narrative. Gordon lived, and she and Nanjiani married, and that's how we get this story. (Also, not too many "coms" would dare to kill the love interest.) But it's not surprise or suspense that makes this movie tick. Instead, it's all about the performances, and about seeing obstacles to a relationship seldom portrayed on film.
The coma would seem to be the biggest one, on paper. But the real emotional spine of the film is the clash of cultures. Nanjiani's parents (the fictional ones, but one can assume the real ones too) are all about maintaining a cultural connection with Pakistan, and that includes trying to arrange a marriage for their son. Nanjiani can't bring himself to stand up to them for what he wants; this leads to the breakup, and the ensuing guilt when tragedy strikes. This strain between heritage and the "melting pot" feels very real and specific, while at the same time quite universal -- almost everyone has a story about hiding a truth from their parents, being unable to stand up.
The cast is really great. Nanjiani plays his own role; anyone who's watched Silicon Valley or his stand-up would have known he could nail the funny, but he's also quite potent in the dramatic moments too, and easy to root for. Zoe Kazan plays Emily, and rises to two interesting challenges in the film -- first, she has only a short time at the beginning to win the audience over to both her and the relationship; second, she has to be sympathetic after the coma when circumstances have changed wildly for everyone else but not for her.
Emily's parents are played by Holly Hunter and Ray Romano. Both bring great shades of emotion to surprisingly nuanced roles. These two characters are said not to be too closely based on real life, but they feel just as real as everyone else, thanks to the honest portrayals. The three who play Kumail's family -- Adeel Akhtar, Zenobia Shroff, and Anupam Kher -- are a lot of fun, and while they don't have to do as much of the "heavy lifting," they do get their own more dramatic moments to shine.
The Big Sick is more than a simple, fluffy rom-com, and yet remains a fundamentally "feel good" movie even as it dares to dig deeper. I enjoyed it a great deal. I give it a B+.
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